Panasonic’s Power Saving LVF mode comes to the GX series for the first time, too. Monochrome D variant adjusts the tonality to bring out more detail in darker regions of the frame. You can now add a grain effect to your shots, with a choice of different strengths. Monochrome mode that aims to simulate the look of black & white film. There’s also an enhanced version of Panasonic’s attractive L. With updated processing and noise reduction, the firm says the camera can record more detail both at low and high ISOs compared to older models. One welcome update sees the GX9 adopting the same improved JPEG colour processing as the high-end G9, which aims to give more attractive sky colours and skin tones in particular. As a result, users can expect to hand-hold at shutter speeds four stops slower than would otherwise be possible, without seeing image blur from camera shake. This is compatible with the firm’s Dual IS system, working in concert with the optical stabilisation found in many Panasonic lenses for greater overall effect. The specified focus acquisition time is a decent 0.07sec, and Panasonic’s usual huge range of focus autofocus modes is available, including face detection and pinpoint AF for homing in on small subjects.įor holding focus on moving subjects the camera is now capable of tracking the entire image area in 3D, which Panasonic says should prevent objects that pass in front of your main subject from interfering with the focusing.Īs with other recent Panasonic bodies, the GX9 includes the firm’s latest five-axis in-body image stabilisation. The autofocus system is similar to previous Lumix models, using Panasonic’s contrast detection with Depth from Defocus (DFD) technology. It’s supplemented by a fully electronic shutter option, which extends the speed range up to 1/16,000sec, and is completely silent in operation. The mechanical shutter offers speeds from 60-1/4000sec, and operates with a pleasingly quiet, well-damped snick. If you need the camera to adjust focus between shots, it’s capable of doing so at 6fps. The sensitivity range covers ISO 200-25,600 as standard, with an extended ISO 100 option also available, but at the risk of clipping highlight detail.Ĭontinuous shooting is slightly uprated compared to its predecessors, with the GX9 capable of 9 frames per second when the focus is fixed at the start of a burst. But it’s removed the optical low-pass filter, which in principle should give slightly sharper, more detailed images at the possible expense of image artefacts such as false colour moiré and maze-like aliasing. Panasonic has based the Lumix GX9 around a 20.3-megapixel Four Thirds sensor similar to that used in the GX8. It’ll also be sold with the compact 12-32mm f/3.5-5.6 zoom shown here for £789, and with the larger but more versatile 12-60mm f/3.5-5.6 for £879. The Lumix GX9 costs £699 (body only) and is available in a choice of silver or black. In the process, Panasonic has come up with an attractive, small-bodied Micro Four Thirds mirrorless camera that on paper should appeal strongly to enthusiast photographers. It’s based on the cheaper GX80 but adds many of the best bits of the GX8, while including all of the company’s latest technology. With the Lumix GX9, Panasonic has listened to its users and made a rangefinder-style mirrorless camera that many will see as a true successor to the much-loved GX7.
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